Our Emotional State of Choice

Some time ago, in an interview for the Journal of Electromusical Inquiries, Kerban reminisced: “Nights of Bus. Nights of Cinesa at Manoteras. Nights of Cinesa at Manoteras plus Bus. Nights of Destino. Nights of Wrong Way, Maravillas and other Malasaña dives. Nights of Wild Thing. Nights of Siroco and Mondo (of course!). Nights of ‘tercios’, … Continue reading Our Emotional State of Choice

Easy to Use

“Another plugin. Granular synthesis now.” “It sounds amazing.” “Yes. Versatile, fun. And easy to use. I’m worried about the usual stuff.” “…” “Where does one find the composer? Or the composer’s identity, more specifically? This vanishes behind the technical and aesthetic sovereignty of the work tool, of the instrument.” “…” “And I also perceive a … Continue reading Easy to Use

Social Memedia

We don’t have much gear. We create music in the most sterile of studios, following the most sober of compositional procedures. Keyboard and mouse, and headaches, and meticulous stubbornness (or stubborn meticulousness). Apart from the music that comes out of our headquarters that does get to see the light of day, we find (we feel) … Continue reading Social Memedia