“LINE AND FISH Approaching it in one way I see no essential difference between a line one calls ‘abstract’ and a fish. But an essential likeness. This isolated line and the isolated fish alike are living beings with forces peculiar to them, though latent. They are forces of expression for these beings and of impression … Continue reading Line and Fish
¿Qué fue de la fragmentación temática como generador de discurso musical? ¯\_(ツ)_/¯ Continue reading Fragmentación
“hi. alive and well here. done with mundane repetitiveness. or repetition as death. yes, the death that is repetition. and death as a symbolic gray canvas where mundane repetitiveness tries to take shape. for outside of the realm of art, things tend to turn gray and shapeless through repetition. outside of the realm of art, … Continue reading mundane repetitiveness
“All the clouds turn to words. … Continue reading Sky Saw
“However we analyse the difference between the regular and the irregular, we must ultimately be able to account for the most basic fact of aesthetic experience, the fact that delight lies somewhere between boredom and confusion.” [GOMBRICH, Ernst: The Sense of Order: A Study in the Psychology of Decorative Art] Continue reading Somewhere between Boredom and Confusion
“The sound object, represented most dramatically by the romantic symphonies of the nineteenth century, has been fractured and remade into a shifting, open lattice on which new ideas can hang, or through which they can pass and interweave. This is one metaphor. Landscape is another—a conjured place through which the music moves and in which … Continue reading A Shifting, Open Lattice
“Inventer, cela consiste précisément à ne pas construire les combinaisons inutiles et à construire celles qui sont utiles et qui ne sont qu’une infime minorité. Inventer, c’est discerner, c’est choisir.” [POINCARÉ, Henri: Science et Méthode] Continue reading Inventer
cosmic lithium :) 